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onsdag 16 februari 2011

Ajit Patel: Indian Colors


Based in Mumbai, Ajit Patel is an award-winning freelance advertising photographer, with the background of having produced documentary movies in London.

His website reflects his initial passion for black & white, but that has evolved to color. His favorite camera is the Hassleblad X-Pan because, as he puts it, he enjoys the space it provides in composing visual elements.

There are a number of galleries which demonstrate Ajit's careful composition and love of colors. For instance, his photographs in the Indian Colors gallery underscore these very talents. And perhaps influenced by Degas, Ajit shows us a lovely subdued mood in his gallery titled Ballet School.

A versatile photographer, Ajit's galleries is certainly worth your time...I only wish his photographs were shown in a larger size to appreciate them better.

tisdag 15 februari 2011

Poras Chaudhary: Colors of India


Poras Chaudhary is a freelance photojournalist and a documentary photographer, who started photography in earnest in 2005. Influenced by the work of various Magnum photographers, he is self-taught photographer and prefers highly saturated color work.

He won a number of awards including the Digital Camera Magazine’s ‘Photographer of the Year’ award in 2006, National Geographic Traveler’s photo contest Merit Award winner in 2008 as well as being a Runner Up in ‘Epson Color Imaging Contest 2008’.

While the above image is of Poras' gallery "Festival of Colors", I'd suggest you also navigate to his Ladakh gallery, where you'll see one of the best photographs of his collection; the three Bakarwal shepherds.

Holi, also called the Festival of Colors, is a popular Hindu spring festival observed in India, Nepal,Bangladesh, and countries with large Hindu diaspora, and is said to have a medicinal reasons. The spring season is believed to cause viral fever and cold, and the colored powders used during the festival are made of Ayurvedic medicinal herbs.

Perhaps we should try this out to combat H1N1 flu infections?

"posted by TTP robot"

lördag 12 februari 2011

My Work: Manali Street Barbers


Photo © Tewfic El-Sawy-All Rights Reserved

Alongside a participant (who's somewhat visible in one of the mirrors) in my multimedia class at the Foundry Photojournalism Workshop in Manali, who's presenting a photo story about street barbers, I photographed some of them in one of the main alleys of the small town. It seems that these particular street barbers have been working on the same site for over 35 years, and they (as evidenced by the constant stream of clients) have a thriving business, despite their protestation to the contrary.

The Foundry Photojournalism Workshop is, by all accounts, a terrific success and its finale is today in the evening where some 70 students will present their work, after a face off with their instructors in a "friendly" game of cricket.

Palani Mohan: VIVID


Here's VIVID, a blast of colors that will surely jolt your senses into overdrive! It's a collection of "color-caffeinated" photographs by Palani Mohan of various (mostly of the Indian Holi festival) scenes of tremendous color.

Palani was born in Chennai, India, and moved to Australia as a child. His photographic career started at the Sydney Morning Herald newspaper, and since then he has been based in London, Hong Kong, Bangkok, and now Kuala Lumpur. Malaysia.

His work has been published by many of the world's leading magazines and newspapers including National Geographic, Stern, Time, Newsweek, and The New York Times. He also published three photographic books. Palani's work has been recognized with awards from World Press Photo, Picture of the Year, National Press Photographers Association, American Photo and Communication Arts. He is represented by Getty Images' Reportage Group in New York.

The Travel Photographer blog previously featured Palani Mohan's work here.

torsdag 10 februari 2011

Carsten Bockermann: India's Ambassador


I expect that the seasoned India travelers bemoan the slow reduction of the beloved Ambassador cars on the country's roads. It's manufactured by Hindustan Motors and in production since 1957. It's based on the Morris Oxford III model first made by the Morris Motor Company in the United Kingdom from 1956 to 1959.

I recall my first road trips in India were in a pristine (and many times, in less so) white Ambassador, with its seats covered with white cotton sheets and a wheezing air-conditioning that spewed tepid breeze, if at all. The drivers were frequently dressed in starched white shirts and white trousers. These days, the vehicles that drive me about are Japanese models, bland and bearing weird model names.

No doubt Carsten Bockermann felt the same way, since he now produced an ode to the Ambassador in his Moving India; a slideshow documenting the Ambassador's assembly line at the Hindustan Motors factory at Uttarpara in the state of West Bengal.

Carsten Bockermann is a German photographer who specializes in photographing everyday life in different cultures around the world using a combination of direct reportage and visually interpretative style. His work appeared on The Travel Photographer blog here.

lördag 5 februari 2011

Alessandro Vincenzi: Mumbai Monsoon


Photograph © Alessandro Vincenzi-All Rights Reserved

Alessandro Vincenzi is an Italian photographer living in Madrid. A trained biologist, he joined Medecins Sans Frontieres and traveled the world with the humanitarian organizatio.

He has added new galleries to his website; one on transgenders and the other on the monsoon in Mumbai. The latter is classic street photography, and many of the gallery's photographs are full of humor, and 'decisive moments'.

Alessandro Vincenzi

Albertina d'Urso: Bodies For Sale


Albertina D'Urso is an Italian documentary photographer. She published two books, "Bombay Slum" and "Lifezoom", and two collections "Respiro del Mondo 5, Afghanistan" and "Km 5072, Milano-Kabul No Stop," which received the Canon Young Photographers Award in 2007.

She traveled to over 70 countries and has a special interest in Tibetan culture. She has been photographing Tibetan refugees around the world since 2004. One of her newer photo essays is on Mumbai's prostitutes which are estimated to be 150,000. These women are brought in from various areas of India and Nepal.

posted by TTP's robotic assistant

onsdag 5 januari 2011

Nagore Sessions: Sufi Song



A recent article appearing in The New York Times on music used in some of the city's yoga centers led me to the Nagore Sessions. These are Sufi chants accompanied by percussion from the Middle East and contemporary Western instruments.

While the musicians are from many different nationalities, faiths and backgrounds and came together to produce the Nagore Sessions, the singers (Abdul Ghani, Ajah Maideen and Sabur Maideen Babha Sabeer) are Sufis from India. They usually perform at religious and social ceremonies at the Sufi shrine of Nagore Dargah in coastal Tamil Nadu.

This song follows the qawwali style as it includes verses praising God, but I'm also told that it's sung in Tamil. Traditional Qawwali songs are mostly sung in Urdu and Punjabi, and a few in Persian.

Finding this is timely, as one of the highlights of my forthcoming In Search of the Sufis of Gujarat Photo Expedition™ is to document the Gujarati Siddis who have retained their Sufi heritage.

One of my long-term projects involves the various Sufi traditions in the Middle East and South Asia, and the Nagore Sessions reminds me of my work with the Gnawa (aka Gnaoua) of Morocco. These are also traditional Sufi music performers, albeit with African roots. During the Essaouira Gnawa festival, a number of international performers played fusion music alongside the Gnawa musicians....incredible mind-blowing stuff!!

I've produced a multimedia photomovie Gnawa: The Sufis of Africa of some of the performers at the 2009 festival.

måndag 3 januari 2011

Sophie Gerrard: The Coal Cycle Wallahs




"I load the bike then push it for 50 kilometers. It takes me 2 days."
Here's The Coal Cycle Wallahs story; the work of Sophie Gerrard, a British freelance documentary photographer in the UK and India who specializes in environmental and social issues.

The Coal Cycle Wallahs documents the impoverished men who haul coal along Jharkhand's steep and twisting forest roads. As the Indian Government owns all the resources under the land, these coal-wallahs are technically stealing the coal from mines...but the authorities turn a blind eye.

Jharkhand is a state in eastern India, carved out of the south Bihar in 2000. It shares its border with Bihar, Uttar Pradesh, Chhattisgarh, Orissa and West Bengal. It's home to the largest coal belt in Asia, but is been plagued by poverty, lawlessness, bad governance and corruption for over 50 years. It has experienced Naxalite-Maoist insurgency.

Sophie holds a Masters degree in Photojournalism and Documentary Photography from the London College of Communication. Her work was recognized with a Jerwood Photography Award and selected as a UK winner by The Magenta Foundation.

Her clients include The Guardian, Greenpeace International, Geographical Magazine, Foto8 Magazine, The Big Issue, and The Independent on Sunday Magazine. Her photographs are held in private collections including Coutts & Co and The Sir Elton John Collection.

tisdag 28 december 2010

Marji Lang: Gujarat

Photo © Marji Lang-All Rights Reserved
Marji Lang is a French travel and documentary photographer, whose color-full photographs in her India galleries just jump at you.

She's fallen in love with India and has already traveled there four times. Over the past 10 years, Marji traveled in South East Asia, and was influenced by Henri Cartier Bresson and more recently by the work of her compatriot and Indiaphile Claude Renault.

She rarely plans ahead her trips, and just takes it a day at a time. No specific hotel reservations nor fixed itineraries. She prefers making her photographs with a human presence...but is not against making a few that are devoid of people (such as the one above). Marji only uses a 24-70mm lens.

I was interested in her Gujarat gallery as some of her photographs are of Jain female pilgrims (sadhvi) in Palitana, one of our stops during my forthcoming photo expedition In Search of Gujarat's Sufis next month.

Romain Alary: The Street

Photo © Romain Alary-All Rights Reserv
Romain Alary is French photographer-filmographer who traveled extensively, and has recently completed a voyage of many months from Paris to Tokyo. He now lives in France where he's involved in both photography and cinematic projects.

From an entry in his blog, Alain was involved in the movie "Women Are Heroes" by JR whilst parts of it was being filmed in India. The reason I mention this is that he posted a movie clip of Bundi, which is very well made...a time-lapse of the small Rajasthani town, which I initially took to be Pushkar because of its central lake. Most of Bundi's houses/bulidings are painted blue, which gives the movie an interesting look. It's not posted on Vimeo, so you'll have to click on Romain's blog to view it.

onsdag 22 december 2010

Soham Gupta: The Down & Outs of Howrath

Photo © Soham Gupta-All Rights Reserved
 Following my post of yesterday on my forthcoming Kolkata Cult of Durga Photo-Expedition, I thought it timely to feature Soham Gupta's work on the homeless of Howrah. Soham is a Kolkata-based humanitarian photographer, who specializes in documenting social injustice and works with disadvantaged children. He started as a writer, but later realized that he had the ability to tell stories in a better way, through photographs.

The Down & Outs of Howrah is a haunting photo-essay on some of the destitute who live near the world-famous Howrah Railway Station. Howrah is situated on the west bank of the Hooghly River, and is linked to Kolkata by the famous Howrah Bridge. It is a twin city of Kolkata, and is the second largest city of West Bengal in terms of both area and population. Its railway station is the busiest and second-oldest station, and one of the largest railway complexes in India.

Soham tells us that most of these homeless individuals are drug users, and have developed mental disorders. Some of them carry the HIV virus because of shared syringes.

I encourage you to visit his website, and explore his other galleries. He documents the Bishnois, the Rajasthani gypsies and the Pushkar Fair. I consider his edgy and high contrast black & white photograph to be influenced by what I call the "Bangladeshi" school. You be the judge.

tisdag 21 december 2010

Kolkata's Cult of Durga: New 2011 Photo Expedition



I'm pleased to announce details of my Kolkata's Cult of Durga Photo Expedition™ scheduled from September 29 to October 13, 2011.

Kolkata's Durga Puja is the most important religious festival of West Bengal, celebrating the Hindu goddess Durga. Due to its importance, it's the most significant socio-cultural event in Bengali society of the year. It's during this annual spiritual event that I shall conduct a photo expedition/workshop.

The purpose of this photo~expedition is to photograph the innumerable rites associated with the Durga Puja festivities; and since Kolkata offers a diverse, gritty, and a visually compelling environment to photographers, it'll also be a "street-photography-heavy" workshop, with a multimedia component.

For details, drop by Kolkata's Cult of Durga Photo Expedition™

fredag 17 december 2010

Samih Güven: India & More

Photo © Samih Güven-All Rights Reserved
Samih Güven is a Turkish photographer currently residing in Paris. Despite degrees in political sciences and Turkish language/Oriental civilizations, he practiced photography for over 20 years. His recent voyage to Asia is encouraging him to become a professional photographer, and to take up formal training in photojournalism.

He is also a founder member of a French collective called Phrawup.

Take a look at his India color portfolio from which the above photograph is taken, as well as those of Burma, China and Nepal to name but a few. His galleries are both in color, and black & white.

måndag 13 december 2010

Trances At Sufi Shrine (Denver Post's PBlog)

Photo © Manan Vatsyayana (AFP/Getty)
The Denver Post's Photo Blog of the week 12.10.2010 features an interesting photograph by Manan Vatsyayana (AFP/Getty) of an Indian devotee seemingly going into a trance to rid herself of evil spirits. This happened earlier this month at the Hazrat Shah Dana Wali Dargah in Bareilly in Uttar Pradesh. It's north of Lucknow and about 200 miles from Delhi. Thousand of devotees from all religions visit the 650-year old shrine of Sufi saint each Thursday to seek blessings for their family and ward off evil spirits.

This is topical as I shall soon be traveling to Gujarat to lead In Search of the Sufis of Gujarat Photo Expedition™, during which our small group will photograph at various Sufi shrines in the area, and where trances and exorcisms frequently take place.

While I've seen devotees exhibit mild trances especially during qawalli performances at the shrine of Nizzam Uddin in Delhi, I also witnessed extreme displays of religious trances in Varanasi, the quintessential Hindu religious city. I spent a couple of days photographing at the dargah of the Sufi saint Bahadur Shahid, where trances and loss of consciousness by devotees were the norm. Hindus, Sikhs and Muslims mingled and sought blessings from this Muslim saint, and some of them went into intense trances. I got the lead to the venue from a NY Times article.

To see more of these practices, here's an audio slideshow I produced and a stills gallery of my photographs at Bahadur Shahid.

onsdag 8 december 2010

My Book: Darshan


I'm chuffed to announce my new photo book DARSHAN is now available from Blurb. There are two styles of the book (72 pages with black & white photographs) on Blurb's bookstore. It's a large (13x11 inches) landscape hardcover version with either a hard cover dust jacket, or a hard cover with image wrap. I much prefer the latter.

It's a handsome book of selected black & white photographs from my travels to India over a span of no less than 10 years. Street photography in Old Delhi and in the alleys of Kochi, portraits of Sufis at the dargahs, Theyyam rituals of Malabar, Rajasthani nomads, Gujarati tribals, widows in their ashrams of Vrindavan and sadhus on the ghats of Varanasi, as well as pilgrims at the Maha Kumbh Mela.

All the details are available on a page of my website DARSHAN. If you choose to buy, the links will take you to my bookstore on Blurb, which has a preview of the book.

If you don't choose to buy, that's okay...but why don't you leave a nice comment on its Blurb page??? It'll be appreciated.

onsdag 1 december 2010

Dennis Cordell: Buddhist Monks

Photo © Dennis Cordell-All Rights Reserved
383...that's the number of square format black & white portraits of Buddhist monks (and a few sadhus) that Dennis Cordell is exhibiting on his website; all made with a film Hasselblad which he prefers to the 35mm format. These are not photographs made because the subjects are handsome or beautiful...they're are ethnographic in nature. I believe he uses and pushes Tri-X film, then scans the negatives and prints digitally. I've featured Dennis' portraits of Buddhist novices at the Gyudzin Tantric Monastery School in Ladakh before. These were published on Flickr, but he has now acquired a standalone website.

I'm not certain where all these impressive portraits were made, but I did notice that some had background information that indicated Bodh Gaya. A religious site and place of pilgrimage in the Indian state of Bihar, Bodh Gaya is famous for being the place of the Buddha's attainment of enlightenment. It is one of the most important of the main four pilgrimage sites related to the life of the Buddha. The other three are Kushinagar, Sarnath (both in India) and Lumbini (Nepal).

Dennis trained as a painter, and his favorite subject matter, either in painting or in photography, has always been portraiture...especially of Buddhist monks and similar. He prefers black & white because, in his own voice: "The greater the range of tonality between black and white, the greater, for me, is the image. A photo can never have too many shades of grey. Greys are the midtones that create the designs and textures woven into the photo."

I agree. This is the case, perhaps not always...but often. As I mentioned in an earlier post about my own photographs of Bali, I got too much color while there...and I found black & white more calming...more soothing and more, in a strange way, realistic.

tisdag 30 november 2010

Fred Canonge: Pehlwan of Benares

Photo © Fred Canonge-All Rights Reserved
Pehlwani (also known as Kushti) is a traditional style of wrestling popular in the sub-continent of India, Pakistan and Bangladesh. The wrestler is known as pahlawan which, interestingly for those who are etymologists, is the colloquial Arabic word meaning "clown". I wouldn't tell this to these wrestlers, as they would be offended and I'd be on the mat in less than a second.

Based in Paris, Fred Canonge is a French freelance photographer who has extensively travelled in India for the last ten years, and is constantly exploring all the nuances and the diversity of Indian society. His website is replete with galleries of India, including some of images made in Kathputli and Varanasi, but the gallery which I liked the most has his work on the pehlawan.

Varanasi has a number of traditional wrestling training gyms (known as akhara), and one can spot them working with rudimentary weights near Tulsi ghat. The wrestlers' diets consist of milk, almonds, ghee, eggs and chapattis, but have a difficult time making ends meet. Some of them find work as bodyguards to those who need protection or as "enforcers" during political elections.

torsdag 25 november 2010

Apratim Saha: Varanasi

Apratim Saha is both a pharmaceutical executive and a photographer, whose work has been featured in the National Geographic and other publications. He's also a contributor to NationalGeographicStock.com

While I've liked Apratim's Varanasi gallery in which the above photograph of the sadhu is fetured, there's a photograph of a holy man, possibly after a dip in the Ganges, carefully arranging what can only be described as a comb-over. A priceless image of the temporal perhaps trumping the sacred. You'll find it in the Culture portfolio.

söndag 14 november 2010

LATimes' Framework: Chhath Festival

Photo © Narendra Shrestha/EPA
 The Los Angeles ' Times large image photoblog Framework has featured a number of lovely photographs from around the world this past week. I liked this one by EPA photographer Narendra Shrestha of a Nepali woman staring while offering fruits and coconuts to the setting sun during the Chhath festival in Kathmandu.

The Chhath festival is observed by Hindus in India and Nepal, and it's performed in order to thank the Sun god Surya for sustaining life on earth, and to ask for the granting of wishes. The rituals include bathing, fasting and abstaining from drinking water, standing in water for long periods of time, and making offerings to the setting and rising sun.

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